Graphics Intensive Site.
Hit Reload or Refresh
If Not All Images Load.



Original Art
For Sale!

Click Here!


Contact Me







Know Your Rights as
Philippine Comic Book
Professionals!

Click Image Above
or HERE for details.

RSS FEED

About Me

Current Journal
Entries


All Entries For
January 2007


Journal
Archives

2007
2006
2005
2004
2003
2002
2001
2000
1999
1998

Featured Articles

The Filipino Comics Artist
And Manga


Why No Comments?

Why Do I choose English
To Write My Stories?


Exploitation and
Self-Exploitation
in Comics


Making Mini Comics

Comics Lettering

Reviving a
Comic Book Industry


Commentary on
Anonymous Writers


Breaking Into
Philippine Comics


Preserving a Legacy and
Reviving an Industry


Featured Links

The Philippine
Comics Art
Museum


Komikero Comics
Main Site

Philippine Comics
Message Board


Crest Hut
Butt Blog
My Personal Blog

Ilyn Florese-Alanguilan
Website ng Aking
Mahal na Asawa


Doroteo L. Alanguilan
My Dad's Official Site

Emmanuel Jose
Blog Ng Aking
Dakilang Kapatid


MySpace

MyDeviantART

Blog Links


[Powered by Blogger]



FastCounter by bCentral


Thursday, May 26, 2005

Rob Liefeld Said Something I Feel I Must Respond To


In his journal, Rob Liefeld claims:

"Panoramic, cinematic, double page spreads depicting breakneck action was popularized and immortalized by the founders of Image Comics. Lee, Liefeld, McFarlane, Larsen, Silvestri and Valentino delivered widescreen comics back when the comic populace referred to them simply as Image comics. We produced the best fight comix in the world."

I don't think this is entirely correct, Rob. Before I go on, let me just say that unlike some of my contemporaries, I'm a fan of your work, specially on your New Mutants/X-Force days. I respect you and the other Image founders for the accomplishments of Image in the industry and for doing comics in ways that hardly anyone thought of doing before. But I believe your knownledge of comics history may not be too accurate.

If there's anyone who popularized widescreen comics in American comics, it's Jack Kirby, man. I mean, you know that Rob. You know it, specially since you claim to be his fan. I'm glad you did acknowledge Jack Kirby for doing it before you, but I'm puzzled as to why you contradict yourself by saying Image popularized and immortalized it when it was in fact Jack Kirby who did.

Jack Kirby did it in comics after comics for many years, Joe Kubert did it, and Alex Niņo did it, who created *not* a two-page spread, *not* a four page spread, but a colossal FOURTEEN-PAGE spread on the pages of 1994 in 1981. Ronin by Frank Miller tried to match it a few years later, and admittedly, Jim Lee did something similar on an early issue of Wildcats, but Alex's 14 pages has yet to be surpassed.

A few issues later, Alex Niņo outdid himself by creating a gigantic panel when the 14 pages of his story was put together. It's been rarely attempted since, once I believe by Mark Wheatley, and most recently by Alan Moore and JH Williams on Promethea.

Going further back in other countries (for America is *NOT* the entire world, Rob), Alex Niņo, Nestor Redondo, Alfredo Alcala and many other Philippine artists produced 2-page spread after 2-page spread from the early 60's to the early 70's most notable of which was Alcala's VOLTAR which came out in Alcala Fight Komiks, one of the best and biggest fight comics ever published.

Please note that I'm not saying it's *the* best. Just *one* of the best.

Because you know, when one claims to be *the* best in the entire world without knowing fully just what goes on beyond the country you're in, it comes off as a bit arrogant and insulting to us artists who occupy "the rest of the world."

I hope I'm not misunderstood and I'm made to look like I'm putting Rob and Image Comics down. Far from it! They created a lot (and still create a lot) of great comics, and I'm a huge fan still of many of their creators, but to me it's just not right to claim credit for something that they did not do. It's not only *not right*, but an untenable injustice and disrespect to the artists whose credit is being taken away from them.

I'm by no means claiming that Alex Niņo or Alfredo Alcala are the ones who made and popularized widescreen comics before Rob or even Jack. I'm open to the idea that others may have and I'm curious what they are and who are the writers and artists responsible.